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Anwar Malayalam Movie Review 2010

2010-10-15T07:50:00.000-07:00

Anwar, Malayalam Movie Review, movie Anwar, the film will be Prithviraj in the lead role, as an educated man, who falls for terrorist activities on the basis of religion. Mamta Mohandas is the heroine.

The film is about infinite loops around the young when she plans to leave them, as some. The film shoot took place at a ceremony in Kochi, who attended a film about the film.

Amal, which is Kochy said Kerala is considered as a center of terrorism, it is not necessary for him to go to Kashmir to see the terrorists for having something in his own backyard.It also a debate about the views and rights of a person is wrong for many others.

Film to break shooting in late April 2010. The young actor says the film, which also connects with the younger generation is willing to do it right.

Movie soundtrack, composed by Gopi Sundar, was released on September 3, 2010. Album of 7 songs that were written by Rafiq Ahmed.

Knockout Review,Knockout Movie Review

2010-10-15T07:39:00.000-07:00

It may be a scam but it is not bad, it is timely and contextualized to suit India. Sanjay Dutt and starring Irrfan Khan Knock Out was directed by Mani Shankar and produced by Sohail Maklai. The film is said to be made with a budget of 300 million rupees. What can you expect from this film is a fun and exciting though. And for those of you who have not seen Phone Booth, the movie is going to be new and different.

Knock Out revolves around a drama that ensues in a phone from a man on the telephone line is maintained with another hostage shot by a sniper. Bacchu Bhai leaves his home and at most days and stops to make a call from a phone booth to record some directions. Little does he know that this will be his longest call ever and exposed to a political system morally decrepit and corrupt.

Sanjay Dutt plays a lot better in the hands of other directors Sanjay Gupta. Knock Out to see the return of the mighty Sanju Baba to the big screen in your typical Bindaas Avtar. The film is the novel that most have not seen the original and, frankly, also the concept, all the nuances and nitty gritties in the film are unique in their own way. Moreover, the film presents a very contemporary problem of the entire hard-earned money for the Indians piled outside for corrupt politicians Swizz banks. The film is Pacey interesting scenes and some great performances. The fight scenes are interesting and are treated with some surprises from time to time.

Both Irrfan Khan Sanjay Dutt and deliver superb performance. Yes the film has its shortcomings and deficiencies, but not bad for a time clock. Kangana Ranaut seems a bit unbelievable as a journalist wearing her snug, but it is good in his role, however. Sushant Singh plays his character too well.

Brindaavanam 2010 Telugu Movie Review

2010-10-15T01:46:00.001-07:00

Judging by the posters, we NTR would bring in the magic with a touch of class to Brindavanam. But the movie is just another masala mix.

The most important point is that Brindavanam has soared as well. The comedy is hilarious, but parts of it are outdated.

The plot? Alias Krishna Krishna (NTR) is the son of a millionaire (Mukesh Rishi) in Hyderabad.

Indu his girlfriend (Samantha) has a friend Bhumi (Kajal). The twist is that Bhumi's father (Prakash Raj) wants her to marry her cousin (Ajay) - Bhumi a match is against. She bluffs and tells his family that has already fallen in love with a man.

Indu helps to allow your "rent" Krish and her boyfriend, just so she can escape the marriage at the moment.

Krish goes to the village of Bhumi as his "false" lover and successfully resolves the rivalry between the father of the girl and her brother (Srihari). Impressed with Krish, Bhumi dad accepts him and declares his future son in law.

Now, Indu has no other go but to return to her lover. What happens next? Which forms the core of family drama.

Although NTR plays a role that does not fit his image, he does with a vengeance. His dialogues are just superb. For the first time, NTR tried to play a lover boy - if the public accepts that remains to be seen. Kajal paper is dull from start to finish, while Samantha can not enliven the atmosphere. Just play the glam doll without a soul. Prakash Raj and Srihari doing routine paperwork.

The story is far from the original. For example, a touch of Allu Arjun Brindavanam happy. It also has shades of Maska Ram-starring Chiranjeevi Bavagaru Bagunnara, Nari Nari Naduma Balakrishna of Murari, ready and BIND.

Director Vamsy Paidipalle seems to have one thing in mind - one to a commercial success. Writer is faster in the second half compared to the first half. The positive point of the film is entertaining second half. But if you're a serious movie-goer, stay away from Brindavan.

Comedy is the life of the hilarious movie with Brahmanandam, Venu Madhav and NTR. The songs are not impressive and a pair of numbers have an attractive environment. Taman music is only average. The film is a point of great benefit to the film. Editing is crisp.

Brindaavanam 2010 Telugu Movie Review

2010-10-15T01:46:00.000-07:00

Judging by the posters, we NTR would bring in the magic with a touch of class to Brindavanam. But the movie is just another masala mix.

The most important point is that Brindavanam has soared as well. The comedy is hilarious, but parts of it are outdated.

The plot? Alias Krishna Krishna (NTR) is the son of a millionaire (Mukesh Rishi) in Hyderabad.

Indu his girlfriend (Samantha) has a friend Bhumi (Kajal). The twist is that Bhumi's father (Prakash Raj) wants her to marry her cousin (Ajay) - Bhumi a match is against. She bluffs and tells his family that has already fallen in love with a man.

Indu helps to allow your "rent" Krish and her boyfriend, just so she can escape the marriage at the moment.

Krish goes to the village of Bhumi as his "false" lover and successfully resolves the rivalry between the father of the girl and her brother (Srihari). Impressed with Krish, Bhumi dad accepts him and declares his future son in law.

Now, Indu has no other go but to return to her lover. What happens next? Which forms the core of family drama.

Although NTR plays a role that does not fit his image, he does with a vengeance. His dialogues are just superb. For the first time, NTR tried to play a lover boy - if the public accepts that remains to be seen. Kajal paper is dull from start to finish, while Samantha can not enliven the atmosphere. Just play the glam doll without a soul. Prakash Raj and Srihari doing routine paperwork.

The story is far from the original. For example, a touch of Allu Arjun Brindavanam happy. It also has shades of Maska Ram-starring Chiranjeevi Bavagaru Bagunnara, Nari Nari Naduma Balakrishna of Murari, ready and BIND.

Director Vamsy Paidipalle seems to have one thing in mind - one to a commercial success. Writer is faster in the second half compared to the first half. The positive point of the film is entertaining second half. But if you're a serious movie-goer, stay away from Brindavan.

Comedy is the life of the hilarious movie with Brahmanandam, Venu Madhav and NTR. The songs are not impressive and a pair of numbers have an attractive environment. Taman music is only average. The film is a point of great benefit to the film. Editing is crisp.

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2010-09-28T23:17:00.001-07:00

Banner: Sun Pictures

Direction: S. Shankar

Produced by : Kalanidhi Maran

Written by : Balakumaran, Sujatha Rangarajan, S. Shankar

Music: A R Rahman

Cinematography : R. Rathnavelu

Editing by : Anthony Gonsalves

Art: Sabu Cyril

Lyrics: Vairamuthu, P A Vijay

Costume Design: Manish Malhotra

Release: April 14, 2010

Star Cast: Rajinikanth, Aishwarya Rai Bachchan, Danny Denzongpa, Santhanam, Karunas

Endhiran is a forthcoming Tamil movie directed by S. Shankar. Endhiran is a science-fiction starring Superstar Rajnikant and Bollywood beauty and former Miss World Aishwarya Rai Bachchan in the leading roles.

The film expected to cost 120 crores is one of the highest ever film budgets of the Kollywood.

The film is shot with atmost secrecy but the media has speculated the thread which goes like this. The story is about a maverick scientist who creates a robot and later runs into trouble with his creation. According to the story written by late writer Sujatha�s novels En Iniya Iyanthira and Jeeno, there are two powerful characters in the film. Grapevine is that the superstar is playing both the roles; one the human and other the powerful robot.

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2010-07-31T04:46:00.000-07:00

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2010-07-18T06:50:00.000-07:00

July 16: There are some movies that are winners from the moment of its first class breaks out and Tere Bin Laden is a film that! From the many months of time around the promotion of this hilarious debut as director Abhishek Sharma company came on, tremendous curiosity value for the film came even though the film does not lead to any large face value. The film thankfully up to the promise and keeps making it a winner in all departments.

The film in a tongue-in-cheek attempts by a Pakistani journalist to emigrate to the U.S. and chaos that leads to all. Hassan Ali (Ali Zafar) is an ambitious young news reporter in Pakistan, Ali (Ali Zafar) that is extremely desperate to emigrate to the U.S. in search of American dream. His repeated attempts to immigrate are shot down as his visa is denied forever. But when things could not look worse than he comes across Noora (Pradhuman Singh), which is an aspect of Osama bin Laden alike. Ali then devises a plan to produce a fake video of Osama and sell it to the news channels as a ball forward! Unfortunately this leads to serious consequences such as the White House and offices also involves an overzealous secret agent on the trail of Ali.

Abhishek Sharma First timer shows complete command as a writer and director. Keep runtime around 100 minutes, which ensures maximum laugh out moments. His recreation of Pakistan deserve congratulations. The script is the main hero of this Tere Bin Laden without wasting time on unnecessary diversions go.

Pakistani singer Ali Zafar has been perfectly cast and shows remarkable comic talent. Pradhuman Singh is nothing but obvious against the clock. A great find. Sugandha Garg seen in Jaane Tu Ya Jaane Na is a new talent to be reckoned with. Rahul Singh Piyush Mishra and are fun too. John Barry as the American actor is good.

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2010-07-17T11:30:00.000-07:00

Movie : Peepli [Live]

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2010-07-11T01:21:00.000-07:00

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2010-07-10T09:49:00.000-07:00

Red Alert - The War Within: A good attempt

Rating: 3 out of 5*

Starring: Suniel Shetty, Sameera Reddy, Bhagyashree, Vinod Khanna, Ashish Vidyarthi, Gulshan Grover and Naseeruddin Shah (in Sp App)

Director: Anant Narayan Mahadevan

July 9, 2010 (Sampurn Wire): With a hard hitting realistic film Red Alert – The War Within actor turned filmmaker Anant Narayan Mahedevan has finally found his calling after directing a good number of average movies distinctively belonging to a diverse genre. The film based on a true story manages to strike a chord with the manner Mahadevan has narrated the subject without taking sides and has been ably supported by his ensemble cast.

The film narrates the tale of Narsimha (Suniel Shetty) a farm laborer, who desperately needed money to fund the education of his children. But he ends up finding himself in the midst of Naxalites where his mission becomes a mere subset of a greater cause that the militant’s pursue. From being a mere cook to actually training in weapons to being involved in shootouts and kidnapping, Narsimha himself in the thick of life he had never bargained for. A confrontation with the group leader (Ashish Vidyarthi) however turns his life upside down which leads him on the run from both law and the militants. But then comes a crucial time for Narsimha to take one vital decision that can either make or break him. But the decision ends in creating a conflicting situation that has him torn between conscience and survival.

The film’s situations are straight out of newspaper headlines and Mahadevan has handled the subject maturely. He has given a treatment to the film like a thriller rather than resorting to a boring documentary style. Much credit also goes to writer Aruna Raje. However, the climax could have been better. The happy ending though might please audience but in reality the situations portrayed in the climax appear a bit implausible.

The film’s another big strength however are the performances. Suniel Shetty has delivered his career-best act. Bhagyashree playing his wife is good. Sameera Reddy is almost unrecognizable in her non-glam act and is impressive. Ayesha Dharkar and Seema Biswas barely get any scope to justify their talent. Ashish Vidyarthi is very good. Gulshan Grover is fair. Amongst the veterans, Vinod Khanna in his short act and Naseer in his one scene role are super impressive. Zakir Hussain and Makarand Deshpande leave an impact too.

The camerawork by K. Rajkumar and action by Allan Amin could have been better.

Red Alert is a must watch for serious cinema lovers.

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Rating : 3/5

Raghavendra Rao is known for his exceptional song visualization and for the largely feel good entertainers that he makes. With ‘Jhummandi Nadam – Music is My Life’, he brings Manoj Manchu, younger son of Mohan Babu, with whom, he communal a good trail trace a decade ago. Manoj Manchu on his own has had ample successes and will be looking for another hit that will make him a star in the Telugu layer commerce. There is also a new conqueror, Tapsee, a find for Raghavendra Rao who is known to use Telugu heroines. And this layer is said to be a musical so how can we overlook the expectations set by a Raghavendra Rao – Keeravani skin! So does ‘Jhummandi Nadam’ cut through the muddle? Read on!

Balu, the babies and future soloist from Bhadrachalam comes to Hyderabad with an aim to become a soloist as big as the great S.P.Balasubrahmaniam. He meets Sravya, an American intuitive Telugu youngster who is in India to make a documentary on Telugu ethos and songs. She chooses Balu as her jingle guide for her documentary, while her uncle and dad’s buddy Captain Mohan hates Balu, who happens to be his national. Captain Mohan thinks that Balu doesn’t take his life sincerely and he also doesn’t pass of nowadays’s generation’s lifestyle.

Will Balu become a imminent vocalist, what happens when Sravya cataract for the talented Balu but is divergent by her dad and uncle, forms the leftovers of the anecdote.

The Songs – Period. The best parts of the movie are its songs. Manoj Manchu as Balu justifies his position as a talented songster. Tapsee is vivacious, acts suitable and hysterics into the leader Raghavendra Rao’s typical heroine very simply. Seriously it isn’t regular that a debutant actor gets tons of whistles from audience in her introduction picture only!

Mohan Babu’s position in the covering is important and all the scenes in which he and Manoj act together are very good. The chief actor’s talent is visible as he changes tracks from being a comedian, crook and as an appeal artist complimenting and sometime moving Manchu Manoj’s role. Together the father-son duo creates a laugh riot.

Add Brahmanandam, Ali, M.S. Narayana to the fore and there are some extremely laugh out loud situations. The comedy threaded using the word ‘Nigraham’ (meaning dominate) could have come across as tacky but it is because of all these guys that it becomes weird.

The tale line of the covering is delicate. The cause why the hero comes out of his home township to pursue being a star vocalist isn’t convincing. The screenplay takes the ultimate convenient send doable, sometimes even befitting very predictable. Nevertheless the veteran boss knows closely when to haul the strings and get the act open.

The song boss Keeravani and leader K.Raghavendra Rao are the obscured heroes of the haze. Keervani’s song is an asset to the tape, and K Raghavendra Rao’s blot on every song can be felt. Together they make all kinds of songs that are unfilled in Telugu making the sheet a thorough entertainer. The audience in the theatre sometimes got so elaborate that the happening clapping and drumming in rhythm for few songs.

Art targeted by S. Raghu Kulakarni is complimented well by S.Gopal Reddy’s cinematography. Dances are calm on eyes and somebody can go home and try the dances!

Overall the production standards for the movie look good, and Lakshmi Prasanna must be appreciated for making a good debut as a producer.

A lullaby song, a classical song, a Sankranthi song, a wedding song, a normal Raghavendra Rao song, a folk song and then a partisan song – we have all seen each kind of song in different situations and different films. Nevertheless to see them all in one film, and then get some laugh out loud situations guarantees a thorough and honest entertainment. Watch it and forget the world slim for two and the half hours, and you will come out singing a tune!

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2010-06-30T10:59:00.000-07:00

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Cast : Sathya, Sanjay,Ganja Karuppu, Vadivukarasi, Ponnambalam, Meenu Karthika

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Audio of : Em Pillo Em Pillado
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Movie Name : Mr Singh Mrs Mehta
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Audio of : Khatta Meetha
Release Date : 23 july 2010
Cast: Akshay Kumar,Trisha,Makrand Deshpande
Director : Priyadarshan
Music : Pritam Chakrabort

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Movie : Anandhapurathu Veedu

Year : 2010

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Chiyan vikram | Aish | Mani Ratnam | A.R Rehman

Mani Ratnam’s films irrespective of how they are and the consult surrounding them are seen with fanatical benefit by critics and audiences alike. With ‘Villain’ he brings Vikram, who is a brilliant actor and striking Aishwarya Rai Bachchan along with his normal coworker A R Rahman, and a surplus of other India’s best crew. So how is this ‘Villain’?

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Few scenes in which the hero gradually burns a newspaper, and the one in which a lady describes how she was raped show who this coat belong with. The theory of the video has to be appreciated thoroughly as it uses the maximum extent of rough of questioning that is permitted in India.

The first half of the video meanders slowly, pleasing cues from the likes of ‘Apocalypso Now’, Cinematographer Santosh Sivan’s ‘Terrorist’, RGV's 'Jungle' and Mani Ratnam’s own ‘Roja’. The dialogues by Sri Ramakrishna don’t gel well with the thought of the coat, as they sometimes are too nebulous most regularly.

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From the beginning of the coat to its decisive finish, two technical aspects wait absolutely brilliant – A. R. Rahman’s tune and Santosh Sivan's & Manikandan’s Cinematography. If the DVD of the layer should be free with anybody’s commentary it is these guys who should be commenting!

Samir Chanda the art designer and Sabyasachi Mukherjee the attire designer did their jobs well too. Editor Sreekar Prasad must have had a tough time deciding what to do with the first half while he does his best throughout the pictures.

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Movie: Kaadhal Solla Vanthaen

Year : 2010

Cast : Balaji Balakrishan, Meghana Raj, Karthik Sabesh

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Director : Boopathy Pandian

Music by: Yuvan Shankar Raja

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Movie: Milenge Milenge

Year: 2010

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Year : 2010

Cast : Sanjay Dutt, Bipasha Basu, Shernaz Patel, Yashpal Sharma,Aman Verma, Vishwajeet Pradhan, Vipin Sharma, Kunal Kapoor

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Audio of : Milenge Milenge
Release Date : 9 July 2010
Cast : Shahid Kapoor,Kareena Kapoor & others
Director : Satish Kaushik
Music : Himesh Reshammiya
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Audio of : Lamhaa (2010)
Cast : Sanjay Dutt, Bipasha Basu & others
Music By : Mithoon
Director : Rahul Dholakia
Production Team : Bunty Walia, Jaspreet Singh Walia

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REVIEW OF PANCHAKSHARI TELUGU MOVIE

RATING : 2.5/5

ANUSHKA | VIJAY | SAMUDRA | CHINNA

Heroine Anushka has got smartness, glamour, and an icon that no other star had in the fresh time. With ‘Panchakshari’ she will trust to achieve out to the listeners like she did with ‘Arundhati’. Also boss Samudra, haven’t had clothed hits of tardy. Will he be able to take Anushka’s help to rejuvenate his career?

‘Panchakshari’ is about two parallel looking cousins. The first one ‘Honey’, is a trend designer and exemplary, and desires to erect a career. To waver matrimony, and to focus more on her career she policy an arrange. The proposal backfires and invites an eccentric part to her home.

Also next her is the babies man, Sri Ram, who looks like he is wooing her, but someway her diary has landed in his hands. Because she is already in nuisance with one position, she goes to state her diary. There she few videos of her. Angering, she asks Sri Ram about the videos. Sri Ram tells Honey the item of Panchakshari. Who is Panchakshari, what is the connection between Honey and Panchakshari, why Sri Ram and an exotic self chasing her forms the lean of this piece.

The mist completely belong with Anushka, and she is there on project almost 90% of the sheet. Now that’s a massive on divider time for even a top conqueror. She carries the role of Honey oomph glamorously and the makeup of traditional brought up Panchakshari certainly.

Brahmanandam’s comedy with Ali is good and spoof on ‘Magadheera’ with Anushka is unusual. There is scarcely one dedicated song for song’s sake, and the other three songs move the yarn onward. Pradeep Rawat tries his best to be the bad guy.

For the pictures to be good, it requests a beefy screenplay, and an evenly good execution. Panchakshari doesn’t have whichever. The screenplay in the first half drags on and on, but not withouth generous us some plan with actor Ravi Prakash’s scenes. And for all it, his makeup is awfully rubbish. The pictures could have been made even lacking his charm!

Also Anushka dances to the song ‘Ne Lookesthe Luckele’ in a temple. One thought that such a song could go in as an item number. In the same song Anushka takes her coat off. The stair is part of dance, that can be understood; but how can one excuse that dance for a ‘Bonalu’ celebration, that too in a temple is afar wisdom.

In the modern epoch the cinematography of Telugu films has been tender for the better. With Panchakshari, we will feel the other way.

It is clear with the presence of an aghora, that ‘Arundhati’ is a mammoth inspiration. The notebook graphics formed a meat part of ‘Arundhati’s telling and in Panchakshari they are there at the most pathetic scenes!

While the complete picture runs around Honey and Panchakshari characters, the highlight, swiftly inspired by ‘Ammoru’, doesn’t hoist the appeal graph of either Honey or Panchakshari. Instead it makes these characters reduce absolute on the ground. In the end, the highlight is unconvincing, and the aghora appeal is completely left out for its own good!

Screenplay and Direction by Samudra could have been better but he should be appreciated for taking the bold stage of difficult to emulate the special of Arundhati, which is almost impossible now. Few comedy dialogues inducing laughs. The processor graphics in the climax of the coating are good.

‘Ammoru’ and ‘Arundhati’ films stay out in the record of Telugu cinema for a reason. The audiences were captured on their seats as the shoot flows with reason in storytelling and best graphics untaken for Telugu cinema till then. These two movies could bond an emotion of an appeal with a viewer. Panchakshari doesn’t do any such thing. Watch it if you are great fan of Anushka. Greater still if you can guard Ammoru or Arundhati!

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VEDHAM TELUGU MOVIE REVIEW

RATING : 3.75/5

Vedam is about five people.

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The scoop of the skin, done by Krish himself is the soul of the mist. It’s about everyone whom, you must have come across in life, and no, it doesn’t obscure you. It’s as if each, any one on conceal has a falsehood and a message to tell. It is so tempting to disclose few scenes here, but for the sake the pictures, we refrain. Krish deserves a hug, if not a kiss for the story!

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Release Date : 30 July 2010
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2010-05-28T02:36:00.000-07:00

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RATING : 3.5/5

REVIEW OF : PRINCE OF PERSIA

‘Prince of Persia’ is about Dastaan, an orphan who, because of his feisty acrobatic skills, is preferred as a prince, although the king already has two sons. Some stroke of future this! Alas, fifteen existence later the vocation isn’t as agile for the princess Tamina (Gemma Arterton) of a neighboring holy city.
Dastaan, played by Jake Gyllenhall, as the prince of Persia, leads the war against her city. It is here that he odds leading a sacred ‘stiletto’ that has spiritual sands in it; sands that tolerate its frame an unplanned to go back in time, however for little periods! It is this dagger that unites Tamina and Dastaan on a visual outcome full adventurous journey education them about sedition and emotion, time and vocation.
Now if this haze competes with ‘films based on a videotape game’ kind only, it would clearly park out as the best of the lot. You link to this record much better than you would to the ‘Mortal Combat’ cycle or the ‘Laura Tomb’ films. The visual things, especially in the action scenes are rousing. The props, costumes, acrobatics, harmony, ostrich racing etc. slake the primal necessary of any action thriller fan! Add to it the setting of a desert and Gemma Arterton.
It is incidentally Gemma Arterton’s company that makes you feel like you are scrutiny a Bond movie just that Bond had gone back in time! There are weapons you port’t seen before, there is a world to rescue, there is a felon draining the hide of nobility and then there is a hero who can go in and out of any post, infact go back and onwards in time too!
Nevertheless if the pictures tries to come across as a fun crammed thriller that would want to make you sit and keep scrutiny it for its tricks, well it wants a reality invoice. If falsehood forceful has its rummage in getting its audiences connected emotionally, there are hardly any scenes in ‘Prince of Persia’ that make you feel for any characters! Even the beaten trail of ‘an unwilling hero put in a situation to help his family, and thus the world’ can’t conserve it. Ben Kingsley and other actors do try to earn some charm but it is only Gemma Arterton’s acting that soothes your senses.
When it comes to charm, Jake Gyllenhall is no Hugh Grant, or, when it comes to act he is no Johnny Depp! And why would a manager like Mike Newell (Four Weddings and a Funeral, Donnie Brasco) take him as the Prince of Persia requires a lot of intensive interrogation. Was it Jake’s ability to run and run with extreme intensity when the leader said “go”?
Intensity is the key word here, because, if you have seen any visual things interlude movie that tries to make you off your seat you’d know what it means. ‘India Jones’ or a ‘Mummy’ or a ‘Kingdom of Heaven’ have so much to proffer, that at any peak of time through the movie there is a precise emotion you are feeling gratitude to the visuals. Nevertheless in ‘Prince of Persia: Sands of Time’ you might feel the indigence to guard the next action order a bit nearer!
The romance between the clue is as pale as the desert setting, and the dialogue wavers from being witty to dull! Computer graphics don’t interrupt us any more, save there is another breakthrough, and this layer can’t even the break the boredom of ‘rapt, saved, escaped’ monotony it sets to itself!
However it is up to how the ‘not so regularly’ glimpses of brilliance that the shoot offers that manages to put an adhesive to your seat. Like when the hero climbs a barrage, or is lessening off in a sandpaper slide, or tells the princess that he isn’t actually a prince!
Yes, this movie could have been much more than a visual thriller, but it just about manages to remain there.

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2010-05-28T02:18:00.000-07:00

REVIEW OF : GOLIMAR 2010

GOPICHAND | PRIYAMANI | CHAKRI | PURI JAGANATH | B SURESH

Puri Jagannath is known to raise the protagonists in his record in a way no other executive does. And hero Gopichand theater his charm with great intensity. That is precisely why ‘Golimaar’, in Puri – Gopichand combination gains attention. The detail an encounter specialist inspired that this narrative Daya Nayak makes it all the more interesting.
Gangaram (Gopichand), a stray raised by M.S. Narayana forever craves to be a Police Officer and he becomes one. His intensity, dedication and neat forwardness gains him regard from his seniors and shortly he starts operation a sect that specializes in murder the gang members of two gangs – Talwar Gang and Khaled Gang. How does this good sentinel detective try to get on top of these gangs forms the place of the falsehood.
What is Good: The skin draws from a lot of Ram Gopal Varma’s films, especially ‘Satya’ ‘Company’ and ‘Ab Tak Chappan’ (RGV’s production house)! Nevertheless where it separates itself from them is how the ingredients of a commercial Telugu layer – dialogues, songs, fondness untruth, guns, and twists - are used to make this appeal analyze an interesting skin.
Gopichand’s intensity is already proven and his acting abilities are worn to the ceiling in this record. His feeling curiosity Pavitra Priyamani) doesn’t impede the video’s stream. Infact her eccentric lends subtext to the pictures - Why a teenager hating patrol cascade for one? Welcome to the subtle subtext Tollywood.
Priyamani’s incessant chatting into her movable to a certain Gopi rib-tickling, and this thread continues to entertain the audiences even in the climax of the coating! Looks like Puri must have taken this thread folio out of SS Rajamouli's films! Also there are emotional scenes that come in from where you least assume them.
Priymani keeps her act courteous, and Roja theater a quality where she showcases her histrionics well. Ali, in a very small role and Nazar as a Police Officer do well too.
The ahead speed of the skin is an asset to it.
To be truthful the step of the sheet hardly allows you to sight bad scenes if there are any, but this is the intelligence of the principal. However, to showcase the tidiness of its pointer protagonist, the coat portrays both watch officers and mafia leaders as basic imprudent in more than one event.
Also if you have seen Pokiri and are a titanic fan of RGV films mentioned above, you wouldn't view telling manually that you have seen more than good part of the skin!
And while Chakri’s harmony is enjoyable, atleast two songs are honest copies of world hit records. Question here is - does everybody acknowledge them?
Technical Departments: Sham K Naidu’s cinematography is excessive in action sequences, especially those that grip a gun. For a flash you will long you had a gun with you!
Rerecording is appreciable. Dialouges contain the blow that Puri might have missed in his last film.
Though it doesn’t stuff a lot, a picture in which there are a few ‘sms’ exchanged between characters and the way they are presented on project does mean that Telugu cinema is trying to ape Hollywood better.
Most Telugu action films portray the hero as a morally right being. While ‘Golimaar’ does that too, it takes a more handy attitude. Just look at the way how the overseer deals with a ‘brothel’ casing. The puns on Media, Police and some international gangsters are so good you would be so verily enjoying them that you would skip the item!
Another good thing about the film is its boss Puri Jagannath. Looks like he is not fearful of sub-book, nor giving some character to his star. Go ahead Puri, we trust your 'Business's and 'Budda' actually occur!
If you could call ‘Desperado’ a modish take on a ‘Western Spaghetti’, you could as well call this film an usual 'Telugu Film Style' take on a cop narrative! Go watch it, why neglect the ‘gun and pun’ fun?

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2010-05-26T04:31:00.000-07:00

Imagine a crime caper sans guns and the blood. Not every genre of movies need to be dark and Business Badmaash that change is just gay. Colleagues in this plantation companies are using more weapons to win in the same manner as Parmeet Sethi director employs more than clichés intelligence to get the involvement of entertainment.

The story begins in the mid-'90s, when a stream of middle-class graduate Karan (Shahid Kapoor), who aspires to be big in a short time, the devices in a smart import business where they can circumvent the customary rights and selling low-priced foreign products to the desire for imported Indian elements. With the help of his friends Chandu (Vir Das) ZING (Meiyang Chang) and Bulbul (Anushka Sharma) find a way to circumvent the system and make it big. But when the import duty on foreign goods was drastically reduced by the government, its thriving business flops Bangkok.

Now they shift to U.S. trade and continue its conning until success gets into the head Karan. Due to differences in company collapses with partners in crime to work individually. As each of them to give up their evil deeds, which join at the climax to beat the system one last time - but this time within the legal limits.

Parmeet Sethi makes an impressive debut as a writer and directs the film with much greater delicacy and panache. Unlike previous film Bunty aur Babli Yash Raj (which it was compared) when the hit was quick, the ride here is very believable and worked extensively and not insult your intelligence. In the scam of import duty fraud in home loans and the final scam board (also the participation of Michael Jackson), the deceptions are imaginative and interesting. The pace is fast enough to not give you time to reflect on the betrayal.

The director does not waste time working independently on the track on romance, the focus is primarily in games against. The natural chemistry between Shahid Kapoor sizzles and Anushka Sharma (refreshing and reinvented from its image of girl next door Rab Ne Bana di Jodi to a certain cool, e insinuating glance) makes things easier for him.

It is not a crime film volume and spine, the second half work for the reconciliation of the characters. While this was not really expecting the film esp. with his optimistic approach and apologize to the crime, Parmeet Sethi still keeps the film from turning out to be melodramatic take good v / s bad. He supports justice, without losing the fun by incorporating a smart game plan in the climax.

Anupam Kher, Shahid Kapoor and virtuous father, who does not agree with the ideologies of his son remembers from his act of submission to Khosla Ka Ghosla, playing more with his wife Kiran Juneja. Shahid cleverly directed sequences Parmeet consequences with all three of its business partners. Shahid argument Meiyang Chang and his confrontation with Vir Das on the bar-restaurant is commendable acted and executed scenes. The consequences and the reunion of friends recalled of the Rock in camaraderie. Chang casting also used with good results. And this is the third film in line after Ajab Prem Ki Housefull and Ghajab Kahani, where an actor stutters when nervous. Thank God this attribute slapstick, is not used much in the film.

Musical score Pritam's not something you carry with you beyond the movie. The title track is evidently derived from the Mission Impossible theme song, but goes well as a piece of background. Sanjay Kapoor ability to photograph captures the exuberance of Bangkok and the U.S.. Costume designs Ameira Mamta Anand Punvan and are vibrant and fashionable, esp. Sharma Anushka style is hot and sexy. Ritesh Soni edit the movie with the energy of fast pace, never allowing you to lose your attention.

After boring and disappointing films like Chance Pe Dance and Paathshaala, Shahid Kapoor is back in good shape the delivery of a powerful performance. He is correct in every scene exuding lots of confidence. Anushka Sharma looks absolutely lovely, with a naked torso and necklines and continues to have the electrifying smile. But it is certainly more than just looks superb. With great conviction, which perfectly balances the bold and beautiful displays. Vir Das is hilarious as high in the act of testosterone. Meiyang Chang never goes out of control despite playing a shot hardcore-amateur. Both Das and Chang come up with strong supporting characters without ever in the shade by the pair of lead. Anupam Kher will never go wrong in their right to act morally father figure. Jameel Khan and Pawan Malhotra are good in their parts.

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2010-05-25T06:53:00.000-07:00

Title : Kites (2010)
Cast: Hrithik Roshan, Kangna Ranaut, Barbara Mori
Music : Rajesh Roshan
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2010-05-22T02:10:00.000-07:00

AAWARA TELUGU MOVIE REVIEW

RATING : 3.25/5

KARTHIK | THAMMANA | YUVAN SHANKAR RAJA | LINGU SWAMY |

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While narrating a narrative which happens on the boulevard is an interesting premise, it would have been a lot better had there been great conversations between the principal twosome. On top of that, though Karthi makes an earnest stab to construct authenticity in his Telugu elocution, it has its impart of ups and downs. While the first half of the shoot is tired on tiresome to create the complete chemistry between the team, a main chunk of jiffy half goes away in narrating why tons of villains keep chasing the couple on the path. It’s all a little predictable especially the way it meanders towards the climax.

Yuvan Shankar Raja’s song is a colossal asset to the record and it’s one of the reasons this movie merit an inspect. Anthony’s cutting is polished while some of the locales do replicate periodically. Madhi’s cinematography is commendable especially considering the statement that it’s a highway haze. The action sequences and car chase deserve the big thumbs up. Linguswamy, who has films like Run, Pandem Kodi to his believe, makes certainly that Aawara is a racy entertainer. While he successfully pulls the right strings to make it a sweet fondness tale with much drama, perhaps it’s a little too contrived. The haze cataract petite of being an absolute joy traverse.

The covering is not inspired from ‘Jab We Met’ although, both the films are about how the couples get nearer when they are on the road. It’s not a bad layer by any measure, perhaps a good enough film for this summer. Watch it for Yuvan Shankar Raja’s tune, efficient action choreography and the advance pair. And you get Madhi’s cinematography as the icing on the cake. The film is high on rapidity and it would have been a lot better if there was more NOS in that libretto!

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2010-05-21T02:06:00.000-07:00

REVIEW OF : KITES

RATING : 2.25/5

HRITHIK ROSHAN | BARBARA | KANGANA RANAUTH | ANURAG BASU | HARI KRISHNA

K.I.T.E.S - a five letter word which according to the makers of this shoot depicts a lovely surface of fondness between two people, where the combine doesn’t attain somebody controlled that their fatality moreover. Fact is they are talking garbage! Directing by Anurag Basu, the shoot brings together the hit jodi of Hrithik Roshan, Rakesh Roshan and Rajesh Roshan. The trio had sizeable films to their belief till date, Kaho Na Pyaar Hai, Koi Mil Gayaa and Krishh. However, with their latest venture ‘Kites’, the punch goes omitted. Joining them this time are Barbara Mori (a Mexican actor) and Kangana Ranaut. The skin narrates the account of J, an Indian who teaches Salsa in Las Vegas and his meeting with Linda, a Mexican dishonest refugee.

Hrithik Roshan stars as J, an Indian who teaches Salsa in Las Vegas. His student, Gina (Kangana Ranaut) cataract in like with him; however J distances himself from her. J’s hope earn lot of money and when runs out of money, he gets into Green Card sting which involves him marrying criminal immigrants. Quite rapidly he realizes that Gina is the daughter of one of the richest businesspeople in the city and pretends that he’s in ardor with her. Eventually, he’s invited to focus a family happening where he bumps into his prospect sister-in-law, Natasha (Barbara Mori). Sparks fly every time they see eye-to-eye and cavernous down they attain that they are in passion with one another although not dialogue the same words. How does this predicament change their lives? Will their dearest withstand the consequences of their big firmness? That forms the leftovers of this item.
What is Good: The movie was perhaps made with the finances of close to Rs.50-60 crores and it shows on display. It’s not the glossy, Karan Johar kind of coating; however Anurag Basu and Rakesh Roshan have gone to extremist limits to make the pictures look authentic. Most of the word is set in Las Vegas and the hinterlands of New Mexico, Los Angeles with breathtaking landscapes. Most of the movie is set on the highway and the action choreography especially the car chases has been well picturised. There’s another interesting look which has to be clearly observed. The shoot factory the best when there are no dialogues! Salim-Sulaiman’s background total for the mist complements the emotions especially that of Hrithik with his rugged look. Ayananka Bose’s cinematography is efficient and enjoyable on the eyes. Avik Ali’s cutting is great and there’s barely a form which looks unnecessary, but it’s not his slipup that the conversations junction out to be boring!
Of the star cast, Hrithik is marvelous when he doesn’t colloquy much. There’s only one dance string and the actor once again dazzles us with his cool moves. The Mexican actor, Barbara Mori gets into the skin of her makeup, doubtless that’s because she acting herself. Of course, I am not taking about the illegal migrant part of the narrative. She’s wholly nice on your eyes, if you know what I mean. Kangana Ranaut scarcely has a function in the mist and she’s appealing good in her small position. Nick Brown, as the hot blooded Indo-American named Tony looks frustrated all the time on test for a good sense. His girlfriend ditches him. Despite civilized performances from the prime actors, there’s something inexplicably omitted in this coating.

First equipment first, the coating gets off to a short create and then you pause for the kites to ascend. They hardly ever do. Although the premise that two people from different cultures, languages decrease in affection seems interesting, ‘Kites’ falters from the require of an absorbing narrative. It’s genuine that the screenplay of the movie is good, but it’s a tad too predictable when it comes to the actual focus of actions. The first look of Hrithik is a give away of what might have happened and even the chronicle is narrated in intermittent flashbacks, you can easily work it out. The conversations between the lead characters are perhaps the main drawbacks of the tape. They don’t understand each other’s idiom. Sometimes they let their eyes do the talking. Nevertheless when it comes to translate their patois in bits and pieces for the other character, it’s hard to take it badly. Either the meeting a lot or converse too little to keep their chemistry untaken. If I may add, most of the characters in the mist are hard to empathize because despite being unnerved in adverse circumstances, they still perform like the heroes and villains back in the 70’s. The novelty is mislaid and it’s a pity considering the actuality that the tape was destined for an international audience. Music by Rajesh Roshan and the songs are sweet disappointing.

Love stories are commonly cheesy or simple dumb. This one is neither of them. It’s shockingly boring. Perhaps the only part where it catches you by shock is the climax. The coat shall henceforth be remembered for two reasons – 1) Barbara Mori 2) Hrithik-Barbara’s onscreen chemistry when they don’t tell to one another. Whatever possibly the instance, the layer foliage you puffed for Mori…err…more wind which could have taken the Kites upper. For now, I can unharmed determine that neither Anurag Basu nor Rakesh Roshan had a hint to what had happened to the thread connecting the idea and the actual coating. This Indianization of a Mexican Salsa is a little too alien on our sample buds. Two big thumbs down for ‘Kites’. Watch it if you must, but don’t disregard to pass your bolster along. They had everything to make a total recipe, but the film is a little too baffled when it comes to decide to whom it’s serving!

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Cast : Ranbir Kapoor,Nana Patekar,Ajay Devgan,Katrina Kaif, Manoj Bajpai,Arjun Rampal & others
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2010-05-14T05:14:00.000-07:00

REVIEW OF : RAMA RAMA KRISHNA KRISHNA

RATING : 3/5

Most of the films which are set on the banks of Godavari trail a shape which is too flagrant to be missed. There’s a hero with his bunch of contacts, a daughter who has the idiotic about the hero, hero’s father or grandfather is the village’s most-respected gentleman and there has to be a wedding. It all ends with the hero solving all the harms and marrying the lass of his dreams. They call this a family entertainer and beautiful a few time this genre machinery however predictable it might be. The latest covering ‘Rama Rama Krishna’ starring Ram, Priya Anand and Arjun waterfall in this genre. Directing by Srivas, the record was fashioned by Dil Raju. The covering narrates the piece of Rama Krishna, a village lad who has the behavior of both Lord Rama and Lord Krishna.

Arjun stars as Arjun Deva, a mobster in Mumbai who decides to permit his forgotten behind and remove to Gandhipuram on the banks of the river Godavari. Chakrapani (Nazar) is the precede of this village. His leader son is a health scholar while the younger son Rama Krishna (Ram) has the undecided reputation of being notorious most of the period. Rama Krishna frequently gets into a wrangle with Priya (Priya Anand), who’s the sister of Arjun. One day, Rama Krishna comes to know that his elder brother has fallen in dear with Priya’s elder sister. How does Rama Krishna respond to this? Will Arjun’s history remain to hangout him? That forms the respite of this piece.

Ram continues to shocker us with his energy, both in language of acting and dances. His characterization is pretty interesting in the logic that he trees most of the decisions to the Gods he trusts. There’s an ornament which he uses as a verdict maker and this quality is embedded well in the falsehood. His spontaneity in the record is perhaps the only astound amount in the coating. Priya Anand acting the love advantage of the hero in the skin and she delivers a credible performance in her imperfect part. She has a meatier part in this record compared to her debut coating Leader and shares a good onscreen chemistry with Ram. Nazar, Pragathi, Srinivas Reddy and Sekhar are apt in their roles. Brahmanandam’s position as LSR is hilarious. Arjun deserves a special mention. His customary flamboyance has been underplayed in the coating and he’s elegant in his character in this tape. There’s uneasy quietness in his actions which brings out the dilemma of a man who’s annoying to forget his precedent.
What is bad: After an interesting first half which brings out the underlying family relations to the shallow, the layer gets into an auto-cruise sort in the following half. Since almost all films set in a Godavari setting have the same template, it foliage logic of déjà vu. The video’s flash half is a tads too predictable. Bindhu Madhavi is wasted in the video.

Rama Krishna is the 200th movie in Keeravani’s career and the veteran harmony chief has tranquil some good tunes for the coat. Editing by Gowtham Raju is adequate. The visual effects and CGI used in the coating especially in the action sequences look poor. The coat’s rumor, screenplay and route were handled by Srivas. The video’s first half had an interesting premise which fiddles with marriage and the reliance which the parents have on their kids; however the instant half is convincingly predictable. In a way, Srivas has not left any careless clothing behind, yet it’s the same old idea whose durability has been time-weathered.

Rama Krishna doesn’t try to agreement something; neither does it reinvent the circle. The covering brushwood to its formula and the cast, crew did a neat job in making a commercial potboiler. There’s a panorama in the coating where Ram rotates the ornament to see if stops at Rama or Krishna to determine its course of action. The locket stops midway which prompts Ram to take the issue into his own hands instead of relying on the Gods. Perhaps, that’s how the video is too. It has a bit of everything what you suppose from an entertainer. On the entirety, it’s a breezy entertainer which isn’t overwhelming.

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2010-05-14T04:59:00.000-07:00

REVIEW OF : ANDARI BANDHUVAYA

RATING : 3/5

Casts : Sharwanand | Padma Priya & others

CHANDRA SIDDARTHA | J RAMANI

Chandra Siddartha past made Aa Naluguru, about humanity, and Idi Sangathi, about greed. His Andari Banduvaya seems to be again on humanity and this time he factory with talented actors like Sarawanad and Padma Priya. Together they all would ideally like to endear the listeners with shoot!

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Padma Priya looks and acts clothed in most scenes. She manages to look like a working female in the haze but also eases into designer erosion for the songs with oomph. It is a shocker that this belle who debuted in Telugu layer six existence ago, took so long to do another Telugu video. Obviously she has the talent and affinity for roles that go outside four songs and few dialogues.

Also having someone like Naresh to do the key part was like walking on a stiff rope. Naresh doesn’t just carry what he is necessary to, but also manages to get laughing and tears.

The yarn also showcases the broadmindedness of nowadays’s ‘materialistic’ youth who fancy emotional attachment and take ‘rude attachments’ relaxed. This viewed was treated in a lighter vein because it is a bit too daring for Telugus.

One key difficult with the lettering is the way it resolves the evils it created. While few harms are too hackneyed, few others take two or three songs more to be solved. Maybe was the boss’s way of screening how good happens – it takes time!

While the legend sidetracks way too often, the finale, still rather has done, could have been better reasoned. For reasons above the graph of the picture wavers strongly, and plants you unsure of what lastly to say. May be the executive required the interview to get their own conclusions.

Dialogues by Balabhadrapatruni Ramani are witticism and the little spoof on Bommarillu’s climax dialogue is outright hilarious. Nevertheless they to diverge from being too clichéd to sometimes heartwarming. Cinematography by Gummadi Krishna left something more to be desired. Editing wasn’t great too. It was Anoop Rubens’ background melody which becomes a good part of the account important, and manages to jacket the drawbacks in the layer. Art too merit noticing.

A skin liked this is tough to give a closing belief on. Nevertheless Andari Banduvaya is about nowadays’s youth, and while this isn’t the foremost issue of the skin, it meeting about where youth stands today. It touches topics like Altruism, Money and Premarital Sex and argues about them taking both sides. While it is good to see Telugu movies finally episode on such topics, the directors necessity to look at the segment of the record, the expenses such lengths incur, and the absorbed audiences because it.

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Audio of : KOTHIMUKA (2010)
Cast : Krishnudu, Shradda
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2010-05-10T08:38:00.000-07:00

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AUDIO OF : GOLIMAR (2010)
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REVIEW OF : Simha (2010)
Rating: 3.5/5
Starring : Balakrishna, Nayanatara,Sneha Ullal,Namitha & others
Release date: 30th April 2010
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The last three films from Nandamuri Balakrishna did not meet the expectations of their fans. Simha But his new film, teaming with a term of two successful director Boyapati Srinu, Balakrishna raises expectations. Added the hype is not the presence of Nayanatara, Namitha and Sneha Ullal. Do you keep Boyapati Srinu Balakrishna fans satisfied, we'll see.

Srimannarayana (Balakrishna) is a highly respected teacher and cool in college. Janaki (Sneha Ullal), a student enters college, but while being chased by thugs Srimannarayana comes to her rescue. Why is persecuted, and how the past of both and Janaki Srimannarayana together form the rest of the story.
What is Good: Balakrishna stands out as a dynamic teacher. Not only in shape and look younger, who dances well. He plays a rather subdued role as a teacher and as a just and courageous Dr. Narasimha in flashback. Nayanatara sizzles in the role bit is obtained as the wife of Dr. Narasimha. Kota Srinivas Rao seems to have complete command in the medium and its expressions. KR Vijaya as grandmother Srimannarayana to do a good job and so is Sneha Ullal. Namitha, Venu Madhav, Ali, Dharmavarpu, Krishna Bhagavan together just evoke laughter. energy dialogue is a necessity in every film Balakrishna. Simha dialogues are not only power but also to raise packed the characters he plays to a new level.

POWERFUL Dialogue:

Naadi Okkasaari anukunna tharuvaatha dooram entha velathaanu aina.
Ara nimisham chachevaadivi, raa nee naakenduku direction.
The weapons include setting standards, not the sword!
Labha vishayam nasthala what emainaa antunnavu choodanu padi mandi, vishayam chedula vishayam anna manchi what choodanu Kood Bava!
Tho to pettukovali panjaa Simham what vaadi, Tho Vamsham raktham vedi pettukovaali at what vundaali raa.
Basic Nenu gaa or teacher. Bell kootinatharuvaatha paatham modalettanu ante, mallee bellu kottedaaka vadalanu Gaani!

However, what deserves to be appreciated is the conflict within Dr. Naramisha character. He wondered if he, as a doctor who saves lives, it must be killing the thugs in society. Nayanatara also a unique dialogue about the different things happening both at home and kills people when her husband is very good. It justifies the killing in the film to an extent, which otherwise seems to find no explanation in action movies.

There's just too much blood on the screen, just one thing missing in this movie to write badly. For someone like that can handle Balakrishna artists and mythological movies just as well, the basic plot of every movie in general seems to be following the same path. However, within the limits of history it has the punch!

Boyapati Srinu films are known for power packed dialogues, fast action and a few doses of sentiment. He excels in all departments Simha one out and out entertainer. The visual effects and editing by Kotagiri Venkateshwara Rao, especially in the fight scenes is fascinating. Kanulaara song captures the tradition of carrying out 'Laxmi Narayana Kalyanam and is shot exceptionally well. It seems Telugu cinema photography is improving with each film and it is not surprising that the film Arthur Wilson is good too. The background music keeps the current strong.................

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2010-04-29T10:14:00.000-07:00

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Audio of : IVER (2010)

** SONGS LIST **

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2010-04-29T10:05:00.000-07:00

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Audio of : VIRUNTHALI
Cast : Eshwar, Dhiyana, Nazhar, Singam Puli, Balasing Saran Raj
Music : S.S.Kumaran
Direction : Water Man
ScreenPlay : dSingapuli

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Movie Name : Chase
Release Date : 29 April 2010
Genre : Action, Thriller
Cast : Anuj Saxena, Udita Goswami, Samir Kochhar, Aditya Raj Kapoor
Director : Jagmohan Mundhra
Music : Vijay Verma, Udhbhav Ojha
Producer : Anuuj Saxena
Singers : Wajid, Shaan, Vasundhara Das, Shreya Ghoshal

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Movie : Apartment (2010)
Genre : Thriller
Cast : Rohit Roy, Tanushree Datta, Neetu Chandra
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Director : Jagmohan Mundhra
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Audio of : Admissions Open (2010)
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Stars: Abhishek Bachchan, Aishwarya Rai, Vikram
Lyrics: Gulzar
Label: T-Series
Director: Mani Ratnam
Producer: Mani Ratnam , Sharada Trilok
Studio: Madras Talkies
Date: April 2010

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2010-04-23T05:24:00.001-07:00

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Review Of : Darling 2010
Rating: 3.75 / 5
Casts : Prabhas, Kajal , Shraddha Das,Prabhu, M S Narayana &others
Director : A Karunakaran
Music By : G V Prakash Kumar
Produced By : B V N S Prasad

REVIEW - hindivalues.com

In 1998, when A. Karunakaran made 'Tholie Prema ", was described as one of the pioneers of a new wave in the genre of romance. Some other apes followed his style and technique and got it. However, Karunakaran stuck when he knew better and continued to more love stories. His latest film "Darling" is another story of love that has all the essential ingredients of what you expect from a film of Karunakaran. The film starring Prabhas Kajal and is in a world where everyone is good in nature. It tells the love story of how Prabhas meets his childhood sweetheart Nandini.

What is: Prabhas Prabhas begins as a punk Generation Y, who is expecting her first love Nandini (Kajal) to enter your life once more. When your friend (Shraddha Das) proposes her love to him, Prabhas overruled. Disgusted with this decision, Shraddha Das suicide attempts which irritates his father (Mukesh Rishi). Prabhas forces him to accept the proposal of his daughter, but before accepting Prabhas, tells the story of how he met Nandini. The rest of the story is about how Prabhas and Nandini meet and how they fall in love with each other.
What is Good: 'Darling', a film that never takes itself too seriously. There are plenty of actors being silly to spend a jolly good either in Switzerland or Araku. It's the small moments of joy that drive the story forward. If you have very carefully Karunakaran movies then you will notice that there is little villains or shades of gray in the character. Same is the case with this film. Almost everyone is good at the bottom which inturn forces us to concentrate on the love story in the making. Although it is subtle, the love story has its share of good times. Take that scene filmed in Switzerland for example, when you realize that Prabhas Kajal loves her. Or even the scene where he realizes how nice a person Kajal Prabhas is when the evening solves a huge mess of his friend of the family. Moments like these do not go waste and the film is full of such incidents.
For the all-star cast, Prabhas seems to have had a good time during the filming of the movie. His body language, especially in the second half of the film is effective, though he seems confused in most of his scenes. His statement of style, especially the costumes and dances are noteworthy. Prabhu, Prasad Ahuti, Dharmavarapu Subramaniam, MS Narayana, Srinivas Reddy, Mukesh Rishi Das Shraddha and effective in their roles. In the midst of them all, is the heroine Kajal Agarwal in the film that dazzles with its exuberance is almost as contagious! Take that scene where the band meets Kajal Prabhas' music in Switzerland, where he advocates a chance to sing for them. Kajal is very happy in most of his scenes and breezes through them with a boost.
What is bad: Love stories have been a tried and tested formula. Karunakaran did not really try to do something new in "Darling" or trying to interpret the love from a new perspective. Perhaps this makes the film even more predictable. The second half of the film drags a bit and stay in their host so the family drama is concerned.
Technical departments: Andrew photography is beautiful in the film. The songs and scenes shot in Switzerland have a good mix of colors like blue and green which is very pleasant to see. GV Prakash's music is good. Swamy dialogues are good. Kotagiri Venkateswara Rao editing is decent. choreography by Peter Heins of action is quite effective. Karunakaran has also handled the story and the script, aside from the direction of the film. While there are some clever twists and turns in the film, the script could have been better, especially in the second half to make it more attractive. In short, "Darling" is a film with Karunakaran typical clear storyline mixed with great comedy and family drama.
Background: "Darling" is a film that is quite harmless, that does not hurt your intelligence. It is hardly taken seriously and Karunakaran formula works for a large part. It is the story of a youthful hero who is madly in love with a beautiful girl, the love story between the couple and a happy ending. This formula may have been done to death, but remains an enigma that works over and over again. Thumbs up for 'Darling' and the trio Karunakaran, Prabhas, Kajal. Go to see and then if this 'Cheesecake' be sure to see the end credits for some extra cheese! Life is always good in the world of Karunakaran.

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Rating: 2/5
Reveiw of : Sarvam 2010
Starring : Arya, Trisha, JD Chakravarthy, Indrajeet and others...
Release date: 23rd April 2010
Director : Vishnu Vardhan
Music By : Yuvan Shankar Raja
Producer By: Ayngaran International

** Sarvam tamil dubed telugu movie review **

HINDIVALUES.COM

Arya is an early architect who is supposedly effective on a combine of prestigious projects awaiting he bumps into Trisha. It’s passion at first vision for him and he spends the lean of his time wearisome to woo the pretty surgeon with his interest grabbing antics. A join of songs & many scenes later, Trisha finally realizes his dearest for him and agrees to marry him. In a different footprint, we are introduced to the mysterious JD Chakravarthy who has sworn revenge on Naumann and his son Ehaan who he believes are responsible for his family’s decease in an accident. The first half tops tragically with Trisha ultimate unexpectedly and leaving behind a very heartbroken Arya. In the right filmly tradition, Trisha’s empathy is transplanted in Ehaan’s body as the young kid is suffering with a core disorder. A gloomy Arya decides to go to collect Ehaan in the lovely hill-situate of Munnar only to find Chakravarthy waiting there. The picture then moves into a revenge wise with Arya pledging to defend Ehaan (read Trisha’s feeling) which fallout in many encounters, a jungle chase and a bloody pinnacle set in a cathedral.

There are very few good clothes to urge here out of which the performances by Arya, Trisha and Chakravarthy exist out. Arya plays both his roles of a fizzing lover boy and a brooding loser with lessen given that he has there in almost 95% of the frames. Chakravarthy who has more copy than Trisha pitches in with an intense performance with nominal dialogues. Trisha, despite her partial position, is quite crude with a creature which she has played the period formerly. She manages to light up the broadcast with her charisma in each arena. The camera captures the beauty of Munnar with its cloudy luxurious green slopes.

Sarvam promises a worship rumor and then ends as a revenge saga with a very weak thread of a transplanted affection tying the two different plots. Though the first half is watchable credit to the passion anecdote, the minute half goes into a completely different and disappointing tangent. Too much transmit-time is worn to start Arya’s abandoned adoration and Chakravarthy’s anger that eventually leads to a long-pinched climax battle. All the section characters exposed in the first half completely dissolve in the trice half and so we are left with just four gentleman characters dominating the second half proceedings. The songs in the second half look to be forced into the hide play to ease up the proceeding which unfortunately doesn’t work.